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[Comments for Rafians tribute to a true Maestro - Mohd Rafi] Comment on Rafi’s relationship with Shankar Jaikishan had not been ...: Songs like “kaun hai jo sapno me aya” from Jhuk Gaya Aasman, “to bura maan gaye” from Ayee Milan Ki Bela, “yeh ankhen” from Jab Pyar Kisi Se Hota Hai, “tujhe jeevan ki dor se” from Aasli Nakli, “dheere dheere chal” from Love Marriage, “badan pe sitaren lapete hue” from Prince, “mai kahin kavi na banjayun” from Pyar Hi Pyar, “mai gayun tum so jao” from Brahmchari, had not lost their flavour even 40 years after their creation due to sheer brilliance of Shankar Jaikishan. It is really tragic neither Shankar Jaikishan had received the accolades that they deserved nor Rafi’s association with them had been glorified but history says that the combination of Rafi with Shankar Jaikishan had produced invaluable creations which had become immortal over the period of time.

 [Suhaspai3011's Blog from Indiashines - grab what you can, and share what you have] Bollywood History from:1931 to 2006: This era saw the emergence of director/producers such as Raj Kapoor (Shree 420 /The Fraud 1955), Guru Dutt (Pyaasa/Thirst 1957), Mehboob Khan (Mother India 1957), BR Chopra (Naya Daur /A New Age 1957) and Bimal Roy (Madhumati1958). Meanwhile, Satyajit Ray, who made his first film, Pather Panchali /Song of the road, in 1955 with help from the West Bengal government, established himself as one of the world's great film makers and was given international recognition when he was awarded an Oscar for lifetime achievement (1992).

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